If you've ever spent hours mixing only to be confronted with a wall of mud, you might need to think harder about how to use reverb and delay in your mixes - and some simple tricks can yield dramatic results.
"The ultimate feeling of a good record [is] having various spaces that you feel you're in." Whether or not you agree with Phil Ramone here, there's no denying the importance of a sense of acoustic depth, and the reverb that primarily delivers it, in music production. Most articles on reverb, however, tend to deal simply with applying digital reverbs at mixdown, but while this is clearly an important technique, many of the most successful albums have created their reverb sound by other means, and sometimes without any artificial reverb at all. So for this feature I've brought together the techniques and opinions of more than 70 of the world's top engineers and producers, to try to give a more wide-ranging and realistic view of how reverb is used at all the different stages of the record-making process.
~Sound on Sound - July, August 2008
Part I - Click Here
Part II - Click Here